POOR LITTLE RICH GIRL By Boudoir Queen

It's all about the Body Suit

Believe it or not I wore these out all the time with the exception of the last photo tee hee . In the 90's they were quite popular. I have one that I saved by designer Liza Bruce black with fuzzy cuffs. I think I'll do a shoot with it for fun and have the fabulous Justine model it.

P.S. If there is anything you have been thinking about buying on Etsy now would be the time. I said this about a month ago-I'm shipping almost all of my Etsy inventory to a fabulous store in Los Angeles on Tuesday-

We will be launching new items at the end of next week hopefully.

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MEET and GREET RSVP HERE

Come join us at this fabulous press event . We will have designs on display with our fabu-louche updated portfolio. Our video will be on a large screen. Meet the Boudoir Queen and her Team RSVP here

http://us1.forward-to-friend.com/forward/show?u=5566485731d4cf0743c797e32&id=7d8f600574

Party - Cocktail Party Network:
Global Date:
Saturday, November 7, 2009 Time:
1:00pm - 4:00pm Location:
Buy Definition Street: 3100 S. Congress Suite B City/Town:
Austin, TX View Map

Posted at 12:38 PM | Permalink | Comments (0) | TrackBack (0)

PERFORMANCE and Anita Pallenberg

So, where were you in 67? I was living all over the place, sometimes in hotels with Keith, but I was hardly in London, because I was working a lot. That was my big year as an actress. I was making Barbarella in Rome, and then my German film (Volker Schlondorff’s A Degree Of Murder, for which Pallenberg’s former partner Brian Jones contributed the score).

Where did you shop for clothes? We’d go to places like Emmerton & Lambert in the Antiques Market, Hung On You and Granny’s. I wasn’t into Mary Quant; she was too middle of the road, and that mod, op-art thing wasn’t really for me. And Biba was too big. I wasn’t so into that very English look. In Italy we’d always had salsa, the mamba, all those Latin dances which gave me a different feel for things, so my style was fedoras, belts, little 20s jackets, lace that I’d collected. If I wore mini-skirts I’d have them made by Granny’s. We’d try on clothes and have a joint in the back. Granny’s was very small, just two rooms, so everyone knew each other.

You didn’t mind wearing fur? I had a ratty fake mink coat I wore to a gig by Hendrix somewhere on Chelsea Embankment. I went with (art dealer and member of the Stones inner circle) Robert Fraser. I couldn’t tell Keith; he wouldn’t have liked it at all. As we left Robert, gentleman that he was, picked up my coat from the cloakroom. I wore it for a couple of days and thought it was a bit tight before I realised he’d picked up the wrong coat, a real mink!

What was it like going back to college (Pallenberg studied textiles at Central Saint Martins in the early 90s)? I loved it. One of my favourite fabrics is devore (printed velvet and satin) and so I did my collection for my finals in that. It’s really hard work because the process is so intense but I loved it. There’s a Michael Cooper photograph of Marianne (Faithfull) in a devore dress, which she probably nicked from me! We used to nick from each other all the time because they were all one-off pieces.

So what didn’t you like about the scene? I remember walking down the Kings Road one time and everybody seemed to be on acid. There were kids running around with no shoes on their feet. I’m Italian; the last thing you’d do is go barefoot. Shoes are a status symbol, the first thing you get. Everybody in Rome walks around discussing shoes. I had my boots made for me back home, so I thought it was very weird.

So you weren’t really a hippie then? No. Definitely not. Even though I was away in America for much of the 70s, when punk came along and Vivienne (Westwood) and Malcolm (McLaren) were making those wonderful rubber clothes I felt much more in tune with them.

Posted at 10:35 AM in FABULOUSLY DECADENT FILMS | Permalink | Comments (0) | TrackBack (0)